Jamie Hawkesworth is a British fashion and documentary photographer.
Hawkesworth’s first photography project was made in Preston bus station as a member of the collective Preston is My Paris. The work was published in their 2010 self-published newspaper as well as in his own 2017 book, both called Preston Bus Station. That experience has influenced his work since, shooting fashion campaigns, catalogues and editorials.
He has had solo exhibitions at The Hepworth Wakefield in Wakefield, UK; Red Hook Labs in Brooklyn, New York City; and Huis Marseille in Amsterdam; the latter showing a mix of his personal as well as his commercial photography.
Table of Contents
- 1 Life and work
- 1.1 THE BRITISH ISLES
- 1.2 i-D Magazine Spring 2021 ( issue 362 ) - Kate Moss Photographed by Jamie Hawkesworth - The Utopia is Dystopia issue
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- 1.10 Preston Bus Station
Life and work
Hawkesworth grew in the works in Ipswich. He first used a camera in 2007 as portion of his studies for a forensic science degree at the University of Central Lancashire in Preston. He bearing in mind switched to a photography degree, graduating in 2009.
His first completed photography project was Preston Bus Station, street photography, portraits of people, and a brusque film made beyond three years in Preston bus station in North West England, including one total month spent there. It was made as a believer of the collective Preston is My Paris. The photographs were included in the group’s 2010 self-published newspaper, as competently as in Hawkesworth’s own 2017 monograph. He has said of the project “it informed how I comprehend light, how I edit people. It’s at the heart of the habit I look things.”
His fashion statute has included shooting campaigns and catalogues for JW Anderson and Loewe (both in collaboration in the reveal of Jonathan Anderson), and editorials for Vogue, Fantastic Man, and T: The New York Times Style Magazine.
Hawkesworth uses the same Mamiya RB 67 medium format film camera and lens for everything his work, and develops and makes his own prints.
In 2014 the British Journal of Photography pronounced Hawkesworth “One to Watch”. In 2017 The New York Times said he is “feted as one of the most competent fashion photographers of his generation”. His images have been described by I.D. as being “defined by their loving warmth, simple beauty, and emotional openness”. In 2018 he traditional the Award for Editorial, Advertising and Fashion Photography, from the Royal Photographic Society.
Last update 2021-08-06