Sheida Soleimani (born 1990) is an Iranian-American multimedia artist, activist, and professor. Her works have generated conversations in the field of ‘constructed’ tableau photography, as well as the intersections of art and protest, with a focus on Iranian human-rights violations.
Table of Contents
- 1 Career
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Career
Soleimani’s work highlights the interaction between powerful diplomatic people, groups, governments, and corporations, in order to lift questions from the viewer. The themes of her play are topics not often discussed in the West, for example, highlighting the women executed in Iran, and the attachment between power, exploitation and oil, among others. The pretend is often displayed as a photograph or video of a staged image, Soleimani uses various materials in the performance including, soft sculpture “dolls”, photography, props, masks, and cut-outs of digital prints.
Her bill has gained international recognitions in exhibitions and upon publications such as Artforum, The New York Times, The Huffington Post, Interview (magazine), Vice (magazine) etc. Soleimani has presented fused series of works, namely Medium of Exchange (2018-current), To Oblivion (2016), and National Anthem (2015). Soleimani documented her experience during the COVID-19 pandemic as soon as a series of photographs that were featured in The New York Times.
Soleimani is currently an Assistant Professor of Studio Art at Brandeis University. She previously taught at Rhode Island School of Design (RISD).
Last update 2021-08-06