Roger Camp is a photographer, poet and educator. Initially self-taught, he began photographing in earnest on a transcontinental bicycle trip he planned and executed at age 15 (1961). Accompanied by his twin brother, Roderic Ai Camp, the political scientist, they rode from Orange, California to Dayton, Ohio and the following year to Victoria, B.C., Canada. The trips are chronicled in a two-part article in The American Geographical Society’s Focus (Fall & Winter, 1990).
Roger Camp is a graduate of the University of California, Santa Barbara with a bachelor’s degree in English (1967) and a master’s degree in English (1969) from the University of Texas, Austin. He also holds
a masters and master’s of fine arts degree (1973,1974) from the University of Iowa in photography.
He started teaching English at Eastern Illinois University (1969) followed by a dual teaching position in English/Photography at the Columbus College of Art & Design (1974). Camp taught American students at the Cite Universitaire de Paris (1990) and directed the photography program at Golden West College, Huntington Beach, CA (1977).
Camp served as a book reviewer for Library Journal (1981) and a contract photographer for Black Star, New York (1990).
Camp was a Danforth Fellow in Black Studies (1969), a Visual Fellow at the Fine Arts Work Center, Provincetown (1982), held a summer seminar Fulbright to Brazil (1988) and is the recipient of the Leica Medal of Excellence in Photojournalism 1987. He was twice awarded the NISOD Excellence Award, the National Institute for Staff and Organizational Development, University of Texas,
Austin, for innovation in teaching and learning. In 1992 The City of Huntington Beach, California awarded him the Outstanding Artist of the Year Award for service to the community.
Upon his retirement from teaching in 2010 he began writing poetry full time. His work has appeared in numerous journals including The North American Review, Southern Poetry Review, Poetry East and Nimrod International Journal Award 40.
Camp is the author of three books.
Butterflies in Flight, Thames & Hudson, released in 2002 (selected by American Photo, The Associated Press, NBC Today Show in their recommended photo books of the year).
It was award a “Benny” The International Printing Industry’s highest award in book design (“the book must be flawless”).
500 Flowers, Dewi Lewis Media, released in 2005.
Roger Camp: Heat, Charta/DAP, released in 2008.
“Ascension,”Nimrod International Journal, Fall, 2018.
“To the nurse who spoke the language of the heart,” Poetry East, Fall 2017.
“The breeze in the high branches sings,” Natural Bridge A Journal of Contemporary Literature, Fall 2017.
“Baby on a Train,” Southern Poetry Review, 2016.
“Bonfire of the Valentines,” Gargoyle, 2016.
“Photographing in Amazonia,” Spillway, Summer 2015.
“The green machine is now your mother,” Atlanta Review, Fall 2012.
“My wife, the raven,” North American Review Spring 2010.
“Index of American Periodical Verse 1979,” Sander Zulauf, Scarecrow Press 1980
An Index to American Photographic Collections, George Eastman House, 1982
MacMillan Biographical Encyclopedia of Photographic Artists & Innovators, Macmillan, 1983
”Security Pacific Collection 1970-1985: Selected Works,” Security Pacific Corp.,1985
“At the Galleries,” Robert McDonald, Los Angeles Times, August, 1987)
“At the Galleries,” Leah Ollman, Los Angeles Times, (July, 1987)
“At the Galleries,” Robert Pincus, Los Angeles Times, ( May 1983)
“At the Galleries,” Suzanne Muchnic, Los Angeles Times, (May, 1980)
“At the Galleries,” Robert McDonald, Los Angeles Times, (January, 1987)
“A Sense of Wonder: The Photography of Roger Camp,” Darkroom Photography, (September, 1987)
“Work of Two Artists Contrasts Pier Life,” Los Angeles Times, (November, 1987)
“Three Shows of Subtleties, Icon and Fauna,” William Zimmer, The New York Times (December, 1999)
Swimmers: Seventy International Photographers, Aperture, 1988
Graphis Alternative Photography, Graphis, 1995
“World Press Photo 1995,”Thames & Hudson, New York & London, 1995
Shoreline: The Camera at the Water’s Edge, Graphis, 1996
Flora: A Contemporary Collection of Flora Photography, Graphis, 2002
“Summertime,” Chronicle Books, San Francisco, 2014
Roger Camp is a photographer, poet and educator. Initially self-taught, he began photographing in earnest upon a transcontinental bicycle vacation he planned and executed at age 15 (1961). Accompanied by his twin brother, Roderic Ai Camp, the political scientist, they rode from Orange, California to Dayton, Ohio and the considering year to Victoria, B.C., Canada. The trips are chronicled in a two-part article in The American Geographical Society’s Focus (Fall & Winter, 1990).
Table of Contents
- 1 Biography
- 2 Publications
- 2.1 Butterflies in Flight
- 2.2 Contant, Cantant! Vol. 2 - Rondalletes
- 2.3 Ratmobile; Paper Chase; Dreamtime; Model Bananas
- 2.4 Starcrash (Roger Corman Cult Classics)
- 2.5 Star Wars Wicket Ewoks Endor Forest Summer Camp T-Shirt T-Shirt
- 2.6 Who Will Go: Into the Son Tay POW Camp
- 2.7 Camp Daze Mad Libs
- 2.8 Thomsen Chapel Inaugural Recitals on the Marion Camp Oliver Organ at St. Mark's Cathedral, Seattle
- 2.9 Rock Camp
- 2.10 Stanley Adventure Camp Cook Set - 24oz Kettle with 2 Cups - Stainless Steel Camping Cookware with Vented Lids & Foldable + Locking Handle - Lightweight Cook Pot for Backpacking/Hiking/Camping
Biography
Roger Camp is a graduate of the University of California, Santa Barbara with a bachelor’s degree in English (1967) and a master’s degree in English (1969) from the University of Texas, Austin. He as a consequence holds
a masters and master’s of fine arts degree (1973,1974) from the University of Iowa in photography.
He started teaching English at Eastern Illinois University (1969) followed by a dual teaching position in English/Photography at the Columbus College of Art & Design (1974). Camp taught American students at the Cite Universitaire de Paris (1990) and directed the photography program at Golden West College, Huntington Beach, CA (1977).
Camp served as a autograph album reviewer for Library Journal (1981) and a understanding photographer for Black Star, New York (1990).
Camp was a Danforth Fellow in Black Studies (1969), a Visual Fellow at the Fine Arts Work Center, Provincetown (1982), held a summer seminar Fulbright to Brazil (1988) and is the recipient of the Leica Medal of Excellence in Photojournalism 1987. He was twice awarded the NISOD Excellence Award, the National Institute for Staff and Organizational Development, University of Texas,
Austin, for press on in teaching and learning. In 1992 The City of Huntington Beach, California awarded him the Outstanding Artist of the Year Award for advance to the community.
Upon his retirement from teaching in 2010 he began writing poetry full time. His fake has appeared in numerous journals including The North American Review, Southern Poetry Review, Poetry East and Nimrod International Journal Award 40.
Publications
Camp is the author of three books.
Butterflies in Flight, Thames & Hudson, released in 2002 (selected by American Photo, The Associated Press, NBC Today Show in their recommended photo books of the year).
It was honor a “Benny” The International Printing Industry’s highest great compliment in wedding album design (“the CD must be flawless”).
500 Flowers, Dewi Lewis Media, released in 2005.
Roger Camp: Heat, Charta/DAP, released in 2008.
“Ascension,”Nimrod International Journal, Fall, 2018.
“To the nurse who spoke the language of the heart,” Poetry East, Fall 2017.
“The breeze in the high branches sings,” Natural Bridge A Journal of Contemporary Literature, Fall 2017.
“Baby upon a Train,” Southern Poetry Review, 2016.
“Bonfire of the Valentines,” Gargoyle, 2016.
“Photographing in Amazonia,” Spillway, Summer 2015.
“The green machine is now your mother,” Atlanta Review, Fall 2012.
“My wife, the raven,” North American Review Spring 2010.
“Index of American Periodical Verse 1979,” Sander Zulauf, Scarecrow Press 1980
An Index to American Photographic Collections, George Eastman House, 1982
MacMillan Biographical Encyclopedia of Photographic Artists & Innovators, Macmillan, 1983
”Security Pacific Collection 1970-1985: Selected Works,” Security Pacific Corp.,1985
“At the Galleries,” Robert McDonald, Los Angeles Times, August, 1987)
“At the Galleries,” Leah Ollman, Los Angeles Times, (July, 1987)
“At the Galleries,” Robert Pincus, Los Angeles Times, ( May 1983)
“At the Galleries,” Suzanne Muchnic, Los Angeles Times, (May, 1980)
“At the Galleries,” Robert McDonald, Los Angeles Times, (January, 1987)
“A Sense of Wonder: The Photography of Roger Camp,” Darkroom Photography, (September, 1987)
“Work of Two Artists Contrasts Pier Life,” Los Angeles Times, (November, 1987)
“Three Shows of Subtleties, Icon and Fauna,” William Zimmer, The New York Times (December, 1999)
Swimmers: Seventy International Photographers, Aperture, 1988
Graphis Alternative Photography, Graphis, 1995
“World Press Photo 1995,”Thames & Hudson, New York & London, 1995
Shoreline: The Camera at the Water’s Edge, Graphis, 1996
Flora: A Contemporary Collection of Flora Photography, Graphis, 2002
“Summertime,” Chronicle Books, San Francisco, 2014
Last update 2021-08-06